Tag Archives: Cornerhouse

Alan Turing – The Creator

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On Saturday I went to the UK premiere of “The Creator”. An Abandon Normal Devices preview commissioned by the Cornerhouse and Creative England, coinciding with Alan Turing’s 100th anniversary and the Olympic Torch’s visit to Manchester.

“The Creator” explores the legendary myth behind Turing using CGI to take us into his mind and last days. We see him lay on a therapy couch playing out an imagined conversation with his Jungian psychiatrist just before his death. The film plays out the myth of Turing spinning on the tragic fairytale end, blurring together the tides of history and myth. Al and Al the creators of “The Creator” explore the extreme contrast between arriving from a point of rational mathematics, to the heightened sense of the world and otherness Turing experienced during his time lived in Manchester. Here the narrative shows the computers as sophisticated “thinking machines” who want to discover their originator, juxtaposed against their originator’s mind that has been warped with suicidal thoughts through his arrest and conviction for being gay. The film was fitting in helping me reflect on what I know about Turing, what a fascinating figure he was and the injustice of his end in life.

I didn’t know of Turing till I was healthily into double figures, in fact the first time I think I’d heard of him was when I walked through Sackville Gardens in Manchester and saw his statue sat on the bench. I learnt that Turing is often hailed as the father of modern computing and that he was chemically castrated for being gay. I became morbidly fascinated by the fact that he took his own life through eating an apple laced with cyanide, because of the obvious Snow White connotations and on a more personal note because I knew someone who was collecting the seeds from apples because of the cyanide they contain to try and kill cancer. The story of Alan Turing is such an intriguing mythologised tale that my quest to know more about him and his work will definitely continue and undoubtedly it will do for a much wider audience with the centenary and also the rumours that Leonardo Dicaprio is set to play him in a new biopic!

Turing was only 41 years old when he died, born in 1912 he worked as a code breaker during World War II. It was in 1948 he came to Manchester to work in the Maths department at the University. Here he created what we know as the “Turing test”, a test for measuring how intelligent a machine is. Turing’s idea was that a computer could be said to “think” if a human could not tell it apart from another human being through conversation. It was in 1952 that Turing was investigated by the police for his relationship with another man, he was faced with the choice between a prison sentence or oestrogen injections that would cause him to become impotent and grow breasts. Turing was left unable to work and found dead in 1954 with a half eaten apple by his bedside table. The cause of Turing’s death was cyanide poisoning and the conclusion was that he had taken his own life through eating an apple laced with cyanide , though the apple was never tested.

Now 58 years on, Turing’s death has been called into question again by Turing expert Prof Jack Copeland. The myth of Turing’s life and death will continue to be surrounded in uncertainty and speculation, because of the fascinating mind that carried out extraordinary creations.


Things to do this February with Beer and Art

The People You’re Not: www.cornerhouse.org/people

Good friend and top notch artist Bren O Callaghan’s exhibition at The Cornerhouse, until Sunday 27th February is well worth a visit into the world of unfulfilled ideas presented through beautifully constructed mini theatres and stages around Gallery 1.  I think I’m right in saying Bren worked with youngsters through a series of workshops  to produce the unrealised until now proposals of Edward Barton, the eccentric Manchester poet and musician, Norman Clayture, wooden pant clad balladeer and comedian Harry Hill.  The exhibition is a sensation through seeing many depictions of memorable people in settings unusual for some (and probably not so unusual for others) and pinpointing the bits of ourselves we both are and are not.

There’s a free evening with Edward Barton Sat 12th Feb 6pm, book though.  There’s also a gallery discussion on Wed 23rd February 4-5pm, book.  Other than go for your own perusal at the drunks and delirious ramblings that The People You’re Not creates, it’s a great place to excuse the next recommended on my to do . . .

Portstreet Beer House: http://portstreetbeerhouse.co.uk/

Wohoho, not a good week to be on antibiotics with this new exceptionally good ale joint.  I could not believe the selection, true to their word craft beers are a plenty and with the amount of new comings and goings it’s going to be enough to keep the most well rounded craft beer drinker on their toes.  Brought to us by the delightful Common bunch, we have this new baby in the Northern Quarter.  On Friday when I had my first outing, I had 5am saint on draft and a bottle of one of my old time favourites Dark Star Espresso beer, though it failed to keep me from being too goosey come the amount I’d consumed in total that evening.  I will definitely be enjoying a few delights here on Saturday evening and my hope is to try the much raved about Caldera IPA, craft beer in a can, so don’t buy it all with their new card machine.

Back to Art with tonight’s sampling

Rotar at Whitworth: www.manchester.ac.uk/whitworth

Great 40 minute live piece in response to Siobhan Davies’ new dance work The Score.  Four dance artists sing, walk, move, harmonica play and shout their way through the performance.  I really enjoyed the fact that there was the continuity of four performers in translation of different artists work in quickish succession.  I really responded to the last section Songbook by Matteo Fargion, but that is to do with my own love of word play and sound manipulation.  All the pieces brought something unique and played with my concentration levels, commenting on the minds wanderings and bodies.  I only got chance for a quick squizz around the exhibitions, but I will go back as they are there till 13Th March, I was struck by The Babel Flower and would like to spend more time with the pieces.  Great performance, the live show is only till Sunday and if you go smile when you make out the word plums in Songbook, I did as I had them in my bag.

To Beer of the home variety

The Bottle Stop, Bramhall Acre Lane:

Should have blogged about this place way sooner, and I will do in more detail at some point when I don’t want to listen to Front row  where Bren and Harry Hill discuss the realisation of the idea bought for £50. The Bottle Stops exceptional both in being well priced and well stocked, especially in Continental, Marble, Bollington beers and loads of amazing wines.  I had a lovely Shiraz for less than £8, so probably £7.99 called Dignite, which we had at Christmas number 2 bought on Christmas day, which they were open for!  Also they do changing cask ale to take home, we bought 3 pints of Dinner Ale by Bollington Brewery, which we had with Christmas dinner 1.  It is well worth a visit even if you live 50 miles away. Taras Boulba.

Quantum Brewing Company: twitter.com/quantumbc

Last but not in any means least the exceptional Burnt Amber IPA by the newly formed Quantum Brewing Co, absolutely amazing.  It tasted chocolaty with no use of chocolate malt, it is a new formed favourite, thanks Mister JK can’t wait for the next release.

 


MLF: Face to Face with Jimmy McGovern

graphicThis was an event.  An audience with Jimmy McGovern, staged at the Cornerhouse cinema.  McGovern spoke openly about his script writing career and I found out a lot about what works for him as a writer.

Before this event I had forgotten McGovern was responsible for shows such as Cracker and Brookside, I knew only of The Streets, which I have never watched.

He spoke about how undervalued script writers of TV dramas tend to be, and I admit I am first to say I don’t watch telly because of all the crap that’s out there. 

Though it’s easy to sneer TV scripts as being trite and uninspiring, McGovern reminded us all what a hard job it is to write, and in his own case, write well.

imagesHe is such a likeable chap, who has an incredibly responsive way of dealing with the world.  He’s worked hard to get where he has and doesn’t fail to recognise this.  McGovern doesn’t shy away from saying things that some would rather he didn’t, and talks openly about the TV drama he made of the Hillsborough disaster, and how much censorship came into play.

True to his spirit he seems to balance all aspects of himself remarkably, he was intelligent, witty, extremely perceptive and clued up on all aspects of the industry, he spoke honest and openly about his failures and showed us how he felt at the time, nothing screamed falseness about this man.


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